THE UNKNOWN MYSTERY

 NOW LET ME INTRODUCE SOME FRIENDS,SORRY SOME BAD FRIENDS:

 DOVER DEMON:


THESE CREATURES LOOKS FRIENDLY BUT AS PER MY RESEARCH,I DON'T THINK THEY ARE....





The Dover Demon is an alleged cryptozoological creature sighted on three separate occasions during a 25-hour period in the town ofDover, Massachusetts on April 21 and April 22, 1977. It has remained a subject of interest for cryptozoologists ever since then.Cryptozoologist Loren Coleman was the initial investigator and the individual who named the creature the Dover Demon; it was disseminated by the press, and the name stuck. Coleman quickly assembled and brought into the inquiry three other investigators: Joseph Nyman, Ed Fogg, and Walter Webb. All were well-known ufological researchers in eastern Massachusetts, with Webb being the assistant director of the Hayden Planetarium at Boston's Science Museum. Coleman did not feel he was necessarily dealing with a ufological phenomenon, but he wanted to have seasoned investigators with good interviewing skills to do a comprehensive examination of the eyewitnesses and their families, as well as law enforcement, educational, and community members.

The Dover Demon was first seen outside near a bar by three seventeen-year-old boys who were driving through the Massachusetts area when the car's headlights illuminated it. Bill Bartlett, the driver, reported that he saw what he thought at first was a dog or a cat, but upon closer inspection realized that it was a bizarre, unearthly-looking creature crawling along a stone wall on Farm Street.

Bartlett continued to watch the creature, and he reported it to have a disproportionately large, watermelon-shaped head and illuminated orange eyes, like glass marbles. It had long, thin arms and legs with slender fingers, which it used to grasp onto the pavement. It was hairless and had rough, flesh-toned skin, described as tan and sandpaper-like. The creature's appearance was very plain, with no nose or ears, and no mouth was seen. The witness drawings portray its head as having a skull shape, forming the contour of a circle on top with a more elliptical ending projecting down to include where the nose and mouth would be.

Other witnesses have claimed the creature had green eyes and seemingly smooth, chalky gray toned skin, three feet tall, and made a bloodcurdling noise, similar to a hawk's screech combined with a snake's hiss. But all witnesses say it had no ears, mouth, nose, or known sex.

The creature was sighted again an hour later, by John Baxter, 15, and Pete Mitchell, 13, as they were walking home. He said it was bipedal and ended up running into a gully and standing next to a tree. The next day, Abby Brabham, 15, and Will Traintor, 18, driving down Springdale Avenue, claimed to have seen a similar-looking creature from Traintor's car, on the side of the road. Brabham's description matched Bartlett's and Baxter's descriptions, except this time the cryptid had illuminated green eyes. She approximated its height as "about the size of a goat". Investigators attempted to shake up Ms. Brabham by noting she said it had green eyes reflected by car headlights, while Bartlett mentioned orange eyes were reflected back to him by his automobile's lights. Ms. Brabham was steadfast in her description.

Bartlett, Baxter, Brabham, and Traintor all drew sketches of the monstrous sight shortly after their sightings. On the piece of paper that includes Bartlett's sketch, he wrote "I, Bill Bartlett, swear on a stack of Bibles that I saw this creature."

The widespread interest in the Dover Demon has resulted in it being an oft-discussed cryptid in popular culture, and having Japanese figurines of the creature being developed for cryptobuffs in Japan and North America.

 yeti:

"Abominable Snowman" redirects here. For other uses, see Abominable Snowman (disambiguation). For other uses of Yeti, see Yeti (disambiguation).

The scientific community generally regards the Yeti as a legend, given the lack of conclusive evidence,^[5] but it remains one of the most famous creatures of cryptozoology. The Yeti may be considered a sort of parallel myth to the Bigfoot of North America.The Yeti or Abominable Snowman is an ape-like cryptid said to inhabit the Himalayan region of Nepal, and Tibet. It is believed to be taller than an average human and is similar to Bigfoot.

 ^[2][3] The names Yeti and Meh-Teh are commonly used by the people indigenous to the region,^[4] and are part of their history and mythology. Stories of the Yeti first emerged as a facet of Western popular culture in the 19th century.

The appellation "Abominable Snowman" was coined in 1921, the same year Lieutenant-Colonel Charles Howard-Bury led the joint Alpine Club and Royal Geographical Society"Everest Reconnaissance Expedition"^[16][17] which he chronicled in Mount Everest The Reconnaissance, 1921.^[18] In the book, Howard-Bury includes an account of crossing the "Lhakpa-la" at 21,000 ft (6,400 m) where he found footprints that he believed "were probably caused by a large 'loping' grey wolf, which in the soft snow formed double tracks rather like a those of a bare-footed man".

 He adds that his Sherpa guides "at once volunteered that the tracks must be that of 'The Wild Man of the Snows', to which they gave the name 'metoh-kangmi'".^[18] "Metoh" translates as "man-bear" and "Kang-mi" translates as "snowman"

 the Yeti was a part of the pre-Buddhist beliefs of several Himalayan people. He was told that the Lepcha people worshipped a "Glacier Being" as a God of the Hunt. He also reported that followers of the Bön religion once believed the blood of the "mi rgod" or "wild man" had use in certain mystical ceremonies. The being was depicted as an apelike creature who carries a large stone as a weapon and makes a whistling swoosh sound.

 CENTAUR:

In Greek mythology, a centaur (from Ancient Greek: Κένταυροι, Kéntauroi) or hippocentaur^[1][2][3] is a member of a composite race of creatures, part human and part horse. In early Attic and Boeotian vase-paintings (see below), they are depicted with the hindquarters of a horse attached to them; in later renderings centaurs are given the torso of a human joined at the waist to the horse's withers, where the horse's neck would be.
This half-human and half-animal composition has led many writers to treat them as liminal beings, caught between the two natures, embodied in contrasted myths, both as the embodiment of untamed nature, as in their battle with the Lapiths, or conversely as teachers, like Chiron.

The centaurs were usually said to have been born of Ixion and Nephele (the cloud made in the image of Hera). Another version, however, makes them children of a certain Centaurus, who mated with the Magnesian mares.

 This Centaurus was either himself the son of Ixion and Nephele (inserting an additional generation) or of Apollo and Stilbe, daughter of the river god Peneus. In the later version of the story his twin brother was Lapithes, ancestor of the Lapiths, thus making the two warring peoples cousins.

Centaurs were said to have inhabited the region of Magnesia and Mount Pelion in Thessaly, the Foloi oak forest in Elis, and the Malean peninsula in southern Laconia.

The Centaurs are best known for their fight with the Lapiths, caused by their attempt to carry off Hippodamia and the rest of the Lapith women, on the day of her marriage to Pirithous, king of the Lapithae, himself the son of Ixion.

 The strife among these cousins is a metaphor for the conflict between the lower appetites and civilized behavior in humankind. Theseus, a hero and founder of cities, who happened to be present, threw the balance in favour of the right order of things, and assisted Pirithous. 

The Centaurs were driven off or destroyed.^[5][6][7] Another Lapith hero, Caeneus, who was invulnerable to weapons, was beaten into the earth by Centaurs wielding rocks and the branches of trees. Centaurs are thought of in many Greek myths as wild as untamed horses. Like the Titanomachy, the defeat of the Titans by the Olympian gods, the contests with the Centaurs typify the struggle between civilization and barbarism.

GRIM REAPER:

The concept of death as a sentient entity has existed in many societies since the beginning of history. In English, Death is often given the name Grim Reaper and, from the 15th century onwards, came to be shown as a skeletal figure carrying a large scythe and clothed in a black cloak with a hood.

 It is also given the name of the Angel of Death or Devil of Death or the angel of dark and light (Malach HaMavet) stemming from the Bible and Talmudic lore. The Bible itself does not refer to "The Angel of Death;" there is, however, a reference to "Abaddon" (The Destroyer), an Angel who is known as the "The Angel of the Abyss". In Talmudic lore, he is characterized as archangel Samael.^[1]

In some cases, the Grim Reaper is able to actually cause the victim's death,^[2] leading to tales that he can be bribed, tricked, or outwitted in order to retain one's life, such as in the case of Sisyphus. 

Other beliefs hold that the Spectre of Death is only a psychopomp, serving to sever the last ties between the soul and the body and to guide the deceased to the next world without having any control over the fact of the victim's death. In many languages (including English), Death is personified in male form, while in others, it is perceived as a female character (for instance, in Slavic and Romance languages).

The Greek find death to be inevitable, and therefore he is represented as not purely evil. He is often portrayed as a bearded and winged man, but has also been portrayed as a young boy. Death, or Thanatos is the counterpart of life. Death being represented as male, and life as female. He is the twin brother of Hypnos, the god of sleep. He is typically shown with his brother, and is represented as being just as gentle.

 His job is the escort the deceased to the underworld Hades. He then hands the dead over to Charon (who by some accounts looks like the modern western interpretation of the Grim Reaper, having a skeletal body and black cloak), who mans the boat which carries them over the Lethe. 

The river is the separation of the land of the dead, and the land of the living. It is from Charon that the tradition of putting pennies over the eyes of the dead was born. It was believed that if the ferryman did not receive some sort of payment, the soul would not be delivered to the underworld, and left by the riverside for eternity.

Thanatos' sisters, the Keres were the spirits of violent death. They were associated with deaths from battle, disease, accident, and murder. They were portrayed as evil, often feeding on the blood of the body after the soul had been escorted to Hades. They had fangs, talons, and would be dressed in bloody garments.

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THE UNKNOWN MYSTERY

BEAST OF THE BRAY ROAD:

The Beast of Bray Road (or the Bray Road Beast) is a cryptozoological creature first reported in the 1980s on a rural road outside of Elkhorn, Wisconsin. 

The same label has been applied well beyond the initial location, to any unknown creature from southern Wisconsin or northern Illinois that is described as having similar characteristics to those reported in the initial set of sightings.

A gentleman known by the name of "Uncle Cookie" is said to have seen the beast on at least one occasion.^{[citation needed]}

Bray Road itself is a quiet country road near the community of Elkhorn. The rash of claimed sightings in the late 1980s and early 1990s prompted a local newspaper, the Walworth County Week, to assign reporter Linda Godfrey to cover the story.

 Godfrey initially was skeptical, but later became convinced of the sincerity of the witnesses. Her series of articles later became a book titled The Beast of Bray Road: Trailing Wisconsin's Werewolf.

The Beast of Bray Road is described by purported witnesses in several ways: as a bear-like creature, as a hairy biped resembling Bigfoot, and as an unusually large (2-4 feet tall on all fours, 7 feet tall standing up) intelligent wolf-like creature apt to walk on its hind legs and weighing 400-700 pounds. 

It also said that it's fur is a brown gray color resembling a dog or bear.

Although the Beast of Bray Road has not been seen to transform from a human into a wolf in any of the sightings, it has been labeled a werewolf in newspaper articles..

The Beast of Bray Road appears in the television program Mystery Hunters as well as several books and a motion picture. Articles about it have appeared in Weekly World News. The sightings spawned a 2005 exploitation movie directed by Leigh Scott titled The Beast of Bray Road. The History Channel's TV series MonsterQuest launched an investigation on the beast, in which all witnesses were subjected to lie detector tests. 

The polygraph administrator could find no indication that any of the witnesses had fabricated their stories. It has appeared in a season 3 episode of Lost Tapes, in which it attacks members of a radical militia. Heavy metal band Cage wrote and released the song "The Beast of Bray Road", which appeared on their 2011 album Supremacy of Steel.


GARGOYLE:

In architecture, a gargoyle is a carved stone grotesque, usually made of granite,^[1] with a spout designed to convey water from a roof and away from the side of a building thereby preventing rainwater from running down masonry walls and eroding the mortar between. Architects often used multiple gargoyles on buildings to divide the flow of rainwater off the roof to minimize the potential damage from a rainstorm.


 A trough is cut in the back of the gargoyle and rainwater typically exits through the open mouth. Gargoyles are usually an elongated fantastic animal because the length of the gargoyle determines how far water is thrown from the wall. When Gothic flying buttresses were used, aqueducts were sometimes cut into the buttress to divert water over the aisle walls.
A French legend that sprang up around the name of St. Romanus ("Romain") (AD 631–641), the former chancellor of the Merovingian king Clotaire II who was made bishop of Rouen, relates how he delivered the country around Rouen from a monster called gargouille or Goji. La Gargouille is said to have been the typical dragon with batlike wings, a long neck, and the ability to breathe fire from its mouth.
 There are multiple versions of the story, either that St. Romanus subdued the creature with a crucifix, or he captured the creature with the help of the only volunteer, a condemned man. In each, the monster is lead back to Rouen and burned, but its head and neck would not, due to being tempered by its own fire breath. The head was then mounted on the walls of the newly built church to scare off evil spirits, and used for protection. In commemoration of St. Romain the Archbishops of Rouen were granted the right to set a prisoner free on the day that the reliquary of the saint was carried in procession (see details at Rouen).

The term gargoyle is most often applied to medieval work, but throughout all ages some means of water diversion, when not conveyed in gutters, was adopted. In Ancient Egyptian architecture, gargoyles showed little variation, typically in the form of a lion's head. Similar lion-mouthed water spouts were also seen on Greek temples, carved or modeled in the marble or terracotta cymatium of the cornice.An excellent example of this are the 39 remaining lion-headed water spouts on the Temple of Zeus. There were originally 102 gargoyles or spouts, but due to the heavy weight (they were crafted from marble), many have snapped off and had to be replaced.

Many medieval cathedrals included gargoyles and chimeras. The most famous examples are those of Notre Dame de Paris. Although most have grotesque features, the term gargoyle has come to include all types of images. Some gargoyles were depicted as monks, or combinations of real animals and people, many of which were humorous. Unusual animal mixtures, or chimeras, did not act as rainspouts and are more properly called grotesques. They serve more as ornamentation, but are now synonymous with gargoyles.

WERE WOLF:

A werewolf, also known as a lycanthrope (from the Greek λυκάνθρωπος: λύκος, lukos, "wolf", and ἄνθρωπος, anthrōpos, "man"), is amythological or folkloric human with the ability to shapeshift into a wolf or an anthropomorphic wolf-like creature, either purposely or after being placed under a curse and/or lycanthropic affliction via a bite or scratch from a werewolf, or some other means.

 This transformation is often associated with the appearance of the full moon, as popularly noted by the medieval chronicler Gervase of Tilbury, and perhaps in earlier times among the ancient Greeks through the writings of Petronius.

In addition to the natural characteristics inherent to both wolves and humans, werewolves are often attributed strength and speed far beyond those of wolves or men. The werewolf is generally held as a European character, although its lore spread through the world in later times. 

Shape-shifters, similar to werewolves, are common in tales from all over the world, most notably amongst the Native Americans, though most of them involve animal forms other than wolves.

Werewolves are a frequent subject of modern fiction, although fictional werewolves have been attributed traits distinct from those of original folklore.

 For example, the ideas that werewolves are only vulnerable to silver bullets or that they can cause others to become werewolves by biting or wounding them derive from works of modern fiction. Werewolves continue to endure in modern culture and fiction, with books, films and television shows cementing the werewolf's stance as a dominant figure in horror.

Werewolves were said in European folklore to bear tell-tale physical traits even in their human form. These included the meeting of both eyebrows at the bridge of the nose, curved fingernails, low-set ears and a swinging stride. One method of identifying a werewolf in its human form was to cut the flesh of the accused, under the pretense that fur would be seen within the wound. A Russian superstition recalls a werewolf can be recognised by bristles under the tongue.

 The appearance of a werewolf in its animal form varies from culture to culture, though it is most commonly portrayed as being indistinguishable from ordinary wolves save for the fact that it has no tail (a trait thought characteristic of witches in animal form), is often larger, and retains human eyes and voice. According to some Swedish accounts, the werewolf could be distinguished from a regular wolf by the fact that it would run on three legs, stretching the fourth one backwards to look like a tail.

 After returning to their human forms, werewolves are usually documented as becoming weak, debilitated and undergoing painful nervous depression. One universally reviled trait in medieval Europe was the werewolf's habit of devouring recently buried corpses, a trait that is documented extensively, particularly in the Annales Medico-psychologiques in the 19th century.Fennoscandian werewolves were usually old women who possessed poison-coated claws and had the ability to paralyse cattle and children with their gaze.

Serbian vulkodlaks traditionally had the habit of congregating annually in the winter months, when they would strip off their wolf skins and hang them from trees. They would then get a hold of another vulkodlaks skin and burn it, releasing from its curse the vulkodlak from whom the skin came . The Haitian jé-rouges typically try to trick mothers into giving away their children voluntarily by waking them at night and asking their permission to take their child, to which the disoriented mother may either reply yes or no.

THE UNKNOWN MYSTERY

chupa-cabra:

The Chupacabra or Chupacabras (Spanish pronunciation: [tʃupaˈkaβɾa], from chupar "to suck" and cabra "goat", literally "goat sucker") is a legendary cryptid rumored to inhabit parts of the Americas.

 It is associated more recently with sightings of an allegedly unknown animal in Puerto Rico, where these sightings were first reported, Mexico, and the United States, especially in the latter's Latin American communities.^[1] The name comes from the animal's reported habit of attacking and drinking the blood of livestock, especiallygoats.

Physical descriptions of the creature vary. Eyewitness sightings have been claimed as early as 1995 in Puerto Rico, and have since been reported as far north as Maine, and as far south as Chile, and even being spotted outside the Americas in countries like Russiaand The Philippines. 

It is supposedly a heavy creature, the size of a small bear, with a row of spines reaching from the neck to the base of the tail.

Sighting reports of the Chupacabra have been disregarded as uncorroborated or lacking evidence, while most reports in northern Mexico and the southern United States have been verified as canids afflicted by mange.^[2] Biologists and wildlife management officials view the chupacabra as a contemporary legend.^[3]

The first reported attacks occurred in March 1995 in Puerto Rico.^[4] In this attack, eight sheep were discovered dead, each with three puncture wounds in the chest area and completely drained of blood.^[4

^] A few months later, in August, an eyewitness, Madelyne Tolentino, reported seeing the creature in the Puerto Rican town of Canóvanas, when as many as 150 farm animals and pets were reportedly killed.^[4] In 1975, similar killings in the small town of Moca, were attributed to El Vampiro de Moca (The Vampire of Moca).^[5]Initially it was suspected that the killings were committed by a Satanic cult; later more killings were reported around the island, and many farms reported loss of animal life.

 Each of the animals were reported to have had their bodies bled dry through a series of small circular incisions.

Puerto Rican comedian and entrepreneur Silverio Pérez is credited with coining the term chupacabras soon after the first incidents were reported in the press.

 Shortly after the first reported incidents in Puerto Rico, other animal deaths were reported in other countries, such as the Dominican Republic, Argentina, Bolivia, Chile, Colombia, Honduras, El Salvador,Nicaragua, Panama, Peru, Brazil, United States, and Mexico.^[4]